Programme start: 2012 CICRP: Christine Benoit (director, pictorial materials), Emilie Hubert (imaging) This programme concerns reverse glass painting or painting fixed under glass, with several perspectives: The study of technological aspects, on the one hand, since the techniques used have not always been well identified (for example,
Programme start: 2011 CICRP: Nicolas Bouillon Partnership(s): Central Microscopy Facility of the University of Provence Analysis of the constituent organic materials of paints (binders, varnishes, glues) of particular complex character as a result of the small quantity of the available sample and chemical modifications undergone by these materials
Programme start: 2012 CICRP: Alain Colombini Partnership(s): Clémentine Bollard, art restorer, grant holder of the National Centre of Plastic Arts (CNAP), Museums of France Research and Restoration Centre (C2RMF) This programme draws on research carried out by Clémentine Bollard, art restorer, CNAP grant holder. The scientific assistance of
Programme start: 2009 CICRP: Alain Colombini (director), Norbert Bernstein, Emilie Hubert Partnership(s): Art Institute of Chicago (AIC), Musée Picasso of Antibes, Interdisciplinary Nanoscience Centre of Marseille This research programme on the identification of paints of domestic and industrial application used by Picasso and his contemporaries has essentially concerned
Programme start: 2008 CICRP: Alain Colombini Partnership(s): Fondation Vasarely, Atelier Arcay, Atelier Dernier Cri, All City This programme draws on the systematic study of paints made from organic and fluorescent pigments/dyes used by artists in the second half of the 20th century with the aim of gaining an
Programme start: 2007 CICRP: Alain Colombini Partnership(s): the National Forensic Institute and the Marseille physico-chemical laboratory The purpose of this research programme on the degradation and consolidation of polyurethane resins/paints and latex-rubber is to optimise consolidation methods of these two materials, allowing the display and easier handling of
Enjeux et difficultés de la restauration et de la présentation d’une œuvre biface Le musée du Petit Palais travaille depuis de nombreuses années en étroite collaboration avec le CICRP et propose au public la découverte des études scientifiques et des restaurations dont les œuvres y font
Durée : 2008-2009 CICRP : Alain Colombini Partenariat : Centre de Recherche et de Restauration des Musées de France (C2RMF) Un programme de recherche sur l'identification et le comportement des matériaux en P.V.C. a été entrepris en liaison avec le C2RMF, notamment à partir d'analyses réalisées sur des
Durée : 2010-2011 Pilote CICRP : Alain Colombini Partenariats : Centre de Recherche sur la Conservation des Collections (CRCC), Arc Nucleart, laboratoire de Photochimie Moléculaire et Macromoléculaire de Clermont-Ferrand, Centre de Recherches et de Restauration des Musées de France (C2RMF), dans le cadre d'un PNRC Ce projet porte
Durée : 2010-2011 CICRP : Alain Colombini Partenariats : Centre de Recherche pour la Conservation des Collections (CRCC), Laboratoire de Physique et Mécanique des Matériaux (LPMM), Centre de Recherche et de Restauration des Musées de France (C2RMF), Gwenola Corbin, conservatrice-restauratrice, bourse Centre National des Arts Plastiques (CNAP) Dans
